Edith Rimmington, The Oneiroscopist, 1947
Léonor Fini, The Parasol, 1947
Kay Sage, Margin of Silence, 1942
Ithell Colquhoun, Tree Anatomy, 1942
Penny Slinger, I Hear What You Say, 1973
Eva Švankmajerová, Bed, 1976
Angels of Anarchy: Women Artists and Surrealism is on at Manchester Art Gallery until 10th January. Proof that the frequently overlooked female Surrealists were much more than just wives and mistresses being humoured by the men (which was how many of the latter saw it, I suspect). After complaining about the lack of information available on the Czech Surrealist movement, it turns out that there are works by Toyen and Švankmajerová practically on my doorstep...
Léonor Fini, The Parasol, 1947Kay Sage, Margin of Silence, 1942Ithell Colquhoun, Tree Anatomy, 1942Penny Slinger, I Hear What You Say, 1973Eva Švankmajerová, Bed, 1976Angels of Anarchy: Women Artists and Surrealism is on at Manchester Art Gallery until 10th January. Proof that the frequently overlooked female Surrealists were much more than just wives and mistresses being humoured by the men (which was how many of the latter saw it, I suspect). After complaining about the lack of information available on the Czech Surrealist movement, it turns out that there are works by Toyen and Švankmajerová practically on my doorstep...
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